Benny Hill: Happy Birthday!!

Well, now, we've gotten to January 21st and the birthdate of the comedic genius, Benny Hill. Happy birthday to the late Benny Hill!! 

Everyone has their idea of what a 'comedic genius' is...I think that Benny is a genius because of his ability to be innovative with visual comedy in the early days of television. Some may shrug that off as irrelevant and take the cynical attitude of "well, it wasn't like someone else wouldn't have figured it out...". As a visual comedian I rank Benny Hill along side the likes of Ernie Kovacs and Red Skelton. I'd say that Benny was like a combination of those two...with a stage name inspired by Jack Benny. 

Benny Hill was born Alfred Hill on January 21, 1924. His upbringing was that of most in his era...and for entertainment it was radio or live theater. In numerous on-line biographies and documentaries on Benny it's reported that live theater had a profound influence on Benny...and as a kid he'd see the comedians on stage and loved the idea of causing other people to laugh. He also took note of the emcee's of these theatrical performances and the sea of girls that would come out on stage and dance and have a fun old time. He remarked that the emcee always tended to be surrounded by a lot of beautiful women and that the comic made the people laugh...so, in a lot of ways, Benny combined two of those elements from British Music Hall theater into one and became: Benny Hill! The hallmarks of the Victorian Music Hall traditions that were still being performed during his childhood obviously played a huge role in the style of comedy he would gravitate to. Benny's affinity for this style of comedy put him at odds with 'contemporary' British comedians several decades later...but nevertheless there was an audience for it and millions would tune in to watch his television specials. His television career began in the 1950s and he taped a lot of comedy specials for the BBC.

This is a publicity photo from one of his early television specials...surrounded by a collection of beauties. It's been documented that television made Benny Hill a legendary entertainer...someone that became a popular entertainer exclusively through television rather than having a lengthy run in the theater or in radio. Benny had a spotty presence on BBC radio...but it's generally viewed that the greatness of his comedy wouldn't arrive until the visual medium and television. He was an under-rated master of pantomime. He could be hilarious with no dialogue whatsoever. So many of his most recognizable sketches are the non-verbal routines. These are largely recognizable for several reasons. The main reason they're recognizable is because of how great they're executed/timed and how they're a throwback to the sped-up silent sketches of the Keystone Kops and silent movie comedy in general. He was a big fan of Charlie Chaplin. It's a legendary anecdote now but when Benny visited Chaplin's residence he was shocked, stunned, and highly emotional upon discovering that within the personal collection of Charlie Chaplin were dozens of Benny Hill recordings on video tape. Benny's visit to the Chaplin estate happened in the late '70s following Chaplin's 1977 death. Benny's television programs on the BBC throughout the '60s featured many sight-gags, patter songs, and topical comedy. His inventiveness with the camera enabled him to appear on screen with himself...not once...but three or more times in the same scene. In the days of early television production this trick was performed through the use of covering part of the camera lens to block out certain areas and then, in post production, splicing all of the separately recorded images together to appear as if all images of Benny are appearing at the same time on screen. 

He invented a character named J. Arthur Clinker...world's fastest film maker. Benny once remarked that Clinker wrote the story in the morning, cast it during the afternoon, and filmed it in the evening and it's ready for viewing. The character probably was created as a vehicle for Benny to showcase sped-up or slowed-down camera footage and the haphazard approach of patching unrelated scenes together to create a film. One sketch featured the characters not speaking in-synch with the audio. The Clinker productions were always filled with errors, blunders, bizarre camera edits, and all kinds of other visually jarring activity. Benny may have been spoofing the reputation of Ed Wood.

Benny Hill's comedic seeds were sown in the brief appearances on BBC radio as well as his semi-regular appearances on BBC television in the early to mid '60s. He hit the 'big time' when he joined Thames Television in 1969. The company would be his home for the next 20 years. His legacy and impact took shape during his decades at Thames Television. He continued his appreciation for silent comedy and tackling British celebrities of the time period...one of his frequent spoofs happened to be newscasters and game show hosts. In the BBC years Benny's main comic foil was Jeremy Hawk. Benny's main character, Fred Scuttle, came with him to Thames Television. Benny's comic foil eventually became Henry McGee. Patricia Hayes appeared in several of Benny's early Thames Television specials. She was a hold over from the BBC era. Rita Webb, another ensemble member from the BBC years, also made some appearances on the early Thames Television specials. Benny's television specials were sporadic...the show wasn't on every week or every other week or every month...the specials would show up whenever they were completed and they were treated as television specials...garnering millions upon millions of television viewers. In the photo above Benny Hill is portraying Oliver Hardy and Sue Upton is portraying Stan Laurel in a sketch from the late 1980s. Benny's core ensemble throughout much of his Thames Television years consisted of Henry McGee, Bob Todd, Jackie Wright, and Jon Jon Keefe. 

In 1979, during it's 10th year in production, the series got a new producer/director named Dennis Kirkland. The series also added an all-girl dance group called The Hill's Angels. The most notable of the Angels happened to be Louise English and Sue Upton. In addition to the production and aesthetic changes in 1979, Don Taffner, an American television syndicator, began distributing half hour syndicated versions of Benny's television specials. These specials hit the American television airwaves, slowly at first, but the demand was so high that numerous half hour programs were created to fill all of the time-slots on local television stations as cable television and network television stations began popping up and staying on the air all night long rather than signing off at Midnight with a test pattern airing until 5 or 6am. The half hour programs that aired, first, on American television beginning in 1979 were edited versions of his hour long television specials. Some of those half hour episodes featured sketches taken from several of his hour long specials...meaning that in a single half hour episode Benny could age 5 to 10 years from sketch to sketch. These half hour episodes would become internationally popular...heavy emphasis placed on his silent sketches. The non-verbal comedy in those sketches was obviously helpful. 

Benny's television specials for Thames Television came to an end in 1989. A cave-in to political correctness brought the curtain down on Benny's harmless, whimsical comedy. It was a win for authoritarianism and a loss for comedy. The half hour shows were still airing all over most of the planet...and they continued airing...except in Benny Hill's home country. The accusations of sexism and the condemnation of 'contemporary' British comics in the late 1980's was too much for Thames Television to ignore, apparently. Don Taffner, in the meantime, arranged for Benny and the gang to star in another comedy special. The special, Benny Hill's World Tour: New York, was taped in 1990. The exterior scenes were shot in New York. USA Network aired the comedy special in May of 1991. Benny's syndicated programs were still airing in many television markets...and there was talk of Benny putting together a series of future television specials using the World Tour concept. He passed away, however, in April of 1992 at the age of 68...and reportedly among the papers found in his house was an unsigned television contract which called for the production of new comedy specials. 

This is by no means a detailed overview of his life/career...some out there may find my style of writing incoherent and grammatically challenged...be that as it may Benny Hill was a comedic genius...his work is on video hosting sites for millions of people to discover. In a 2007 poll of the Top-50 Greatest Television Stars conducted by ITV, Benny Hill was ranked 17. I think that was an incredible showing particularly in Britain and particularly nearly 20 years after he passed away. So much hate was written about him during the final years of his television career and so much hate-filled rhetoric directed at Benny has spewed forth since 1989 that having him rank at 17 in a public poll of the 50 Greatest British television stars in 2007 was something of a revelation. It shows me that the public, if you really think about it, was never truly offended by Benny Hill's comedy. The hate and criticism came from special interest groups rather than the public at large. Why is it wrong to cater to special interests? It's wrong because special interests only reflect the views of a small group who share a single interest...it's wrong to cater to the whims of a faction but instead try to reflect the interests of a public as a whole. I'm going to close this blog entry with a funny song and dance from Benny Hill and Jackie Wright...it's wonderful...

Benny Hill: The Master of the Sight Gag...

Benny Hill; 1990

Hello all! I wrote a Benny Hill-themed blog entry back in early  January and I'm back with a follow-up. Benny's birthdate is coming up soon...the actual date is January 21. We're a few years shy of  celebrating the 100th birthdate of the late Benny Hill in 2024 and if  I'm still active on-line in 2024, and why wouldn't I be, I'll be  celebrating the occasion on this blog! I title this blog entry not  necessarily to do any kind of in-depth dissection of Benny's famous  visual comedy but more or less to highlight that how photo's can be  powerful and sometimes misleading. In this screen cap we see Benny performing one of his classic routines where he does the  dropping of the handkerchief bit. Typically Benny would be  walking along minding his own business and he'd see, one by one, "good looking men" drop their handkerchief and some woman would stop, pick it up, and go off walking with the man. Benny, after taking note, would then drop his handkerchief in the hopes a woman passing by would hook up with him but you see how the woman reacted...she picked the handkerchief up, blew her nose on it, and handed it back to him. 😄 

Benny Hill was a master of the sight-gag. He could manipulate the camera, for example, and have his image appear side-by-side-by-side. Camera tricks were also employed when the process of undercranking was used...time lapsed images often appeared on camera...a flower perfectly erect would wilt downward in seconds...he would also use the camera to speed up, edit, or dramatically slow down the pace of a sketch. The most internationally known use of the camera happened to be what's called The Benny Hill Chase. This is something that happened at the end of most episodes of the half-hour syndicated versions of Benny's show. A sketch would begin calmly but through a series of comical blunders and errors Benny would find himself being chased by practically everyone to the tune of Boots Randolph's "Yakety Sax". This sketch was typically sped-up and in pantomime to mirror the silent comedy that Benny was partially influenced by. Benny performed so many non-verbal sketches...typically sped-up with bouncy music...where the humor came with the visual gags. 

He would have words painted onto buildings that carried on a conversation with each other. A written statement found on the side of a brick wall, in graffiti style, might read: "I've not even begun to fight!!" and then the camera would show a sign just below that reads: "You could've fooled me!" with an image of a beaten up person laying on the ground. One of his recurring jokes happened to be the poster board where there was usually a series of 5 or 6 sentences written on a large poster board next to a door...Benny would then open the door and covering everything on the poster except the first letter in each sentence. It would usually spell out a double-entendre word. One of the ways that photos can be misleading is that they're a snapshot...and based upon the person using the photo it can either be a tool of publicity or a tool of deception.

Benny's comedy is all over the internet. If you look for it you're going to find a lot of his comedy sketches from all time periods of his career. The bulk of the sketches that appear on the internet were uploaded by fans and those who are simply curious or intrigued by Benny Hill. The material has all been issued on DVD and so there's rarely anything that shows up on-line that hasn't already appeared on a DVD somewhere. I like the fact that his comedy continues to be discovered. A photo like the one off to the left is of Benny and what were billed as the Hill's Angels. This dance group shown up in Benny's television specials in 1979. In the half-hour syndicated episodes that aired all over the world there are some installments where it's heavy with Hill's Angels dance numbers. Benny's half-hour syndicated programs, which aired all over the world starting in 1979, were edited versions of his hour long television specials from England. The Benny Hill Show that we seen on American television throughout the '80s and into the early '90s during the late-night/over-night hours were half-hour glimpses into Benny's comedy. If you have his full, hour length programs on DVD or if you've seen them on-line you'll see a lot more variety than what's on the half-hour versions. However, those half-hour versions of his show are what brought Benny Hill international fame. The photos of Benny and the Hill's Angels are used as a tool of deception. They're designed to make you think that's all Benny's show was all about...and it wasn't. If you know your Benny Hill history and are familiar with the various documentaries and taped remarks from Benny himself then you'll know how much he loved the British Music Hall tradition of entertainment. In a lot of his shows he put on large, highly choreographed song and dance presentations not unlike the kind one would find taking place in the music hall venues at the turn of the century. A big production and lots of dancing women and the comedy of it all were heavy influences on his distinctive style. Benny's use of dancing women, songs, patter, and sight gags, goes back to his years at the BBC and even prior to that on his earliest of television specials in the '50s. The Hill's Angels, however, weren't officially christened until 1979. Benny joined Thames Television in 1969. 

I know why those Hill's Angels photos are used...it draws a person's eyes...and in television as well as the internet you want the viewer's/reader's eyes. Those photos are like hundreds that are all over the internet. Do I think some people watched his shows just for the Hill's Angels? Probably! Do I think that there's some people who think that's what his show was all about? I'm sure there are those who think that way and having so many publicity photos on the internet of Benny surrounded by a collection of women goes a long way at further perpetuating that image. Am I going to set people straight once and for all and admonish those who misunderstand Benny's comedy? 

Let's look at this rationally. Do those four guys really look that terribly threatening or controversial? Come on...take a look. We have Henry McGee standing next to Benny Hill. In front we have Jackie Wright and Roger Finch. Bob Todd was also a familiar presence but isn't in the photo. The show's producer, the late Dennis Kirkland, had that sentiment that I'm echoing. I, too, don't feel that those four entertainers should send anyone into fits of anger, rage, and hostility. They're perfectly harmless. Jackie Wright, as you can see, became famous for the sped-up sketches where he'd get the top of his head patted on and in many cases, slapped, to the sound of rapidly strung together tapping sound effects. He was part of Benny's Thames TV specials until 1983. Health problems caused his 'retirement' from Benny's show and he passed away in 1989, ironically, the same year Thames TV canceled Benny's show following a 20 year run with the company. Anyway, after Jackie stepped away from the show in 1983, they tried a look-a-like for several television specials. Henry McGee was the straight man and the show's announcer. Henry had a flair for comedy, though, and would get a chance to play bizarre characters, too. Henry's talent was being able to have a perfect reaction to whatever Benny happened to be doing. There are numerous routines where Henry is acting as the interviewer to one of Benny's characterizations and in a decent number of those sketches Henry could get laughs by just holding a facial expression or get a laugh with a twitch or raise of an eye. Benny's television specials were much more than eye candy.   

I'll be writing another blog entry spotlighting Benny Hill in the days ahead...most likely on his birthdate. I'll close this blog entry with a clip of Benny and one of those sight gags I was explaining earlier in the blog. This one is the poster board gag where a series of lines are shown on a board and the visual punchline at the conclusion...

Benny Hill...a Further Celebration...

A couple of years ago I did a blog post about a DVD release that's referred to as a Mega-Set. The collection contains comedy sketches and songs lifted from Benny Hill's television programs for Thames Television (1969-1989). The selling price is still rather high...even nearly 2 years later...but I did write a blog entry about the Mega-Set complete with the titles of each DVD installment. A and E had been releasing Benny Hill DVD's under the title of The Naughty Early Years- Benny Hill: Complete and Unadulterated. There were three volumes released with that title in the mid-late 2000's. Each DVD represented a specific time-frame. The first Volume, which I have, represents the years of 1969 through 1971. Volume 2, the other one I have, represents the years of 1972 through 1974. Two important documentaries on Benny Hill appear as extra's. On Set 1 there's the celebrity-driven tribute titled The World's Favorite Clown which features interviews and footage of Hill during his final years. On Set 2, DVD 3, there's the episode of A&E's Biography focusing on his life, career, and social impact in Europe, America, and all over the globe titled Benny Hill: Laughter and Controversy. I'll post some more pics further down the blog entry. I didn't purchase any of the other DVD's in the A&E series because there was lack of publicity for them and by the time I found out that more Volumes had been released I searched for them on Amazon and the selling price was a bit too much at that point in time. Volume Four, titled The Hill's Angels Years, represents 1979 through 1981 and the selling price for that particular release is only $18.51...down considerably from it's original selling price in 2006 of $49.95. Volume Five, also titled The Hill's Angels Years, represents 1982 through 1985. This particular volume is not in stock but used copies are available for as low as $14.00. The last Volume, set 6, concentrates on the final three years, 1986-1989.

For quick reference: The first three sets are referred to The Naughty Early Years and the second three sets are called The Hill's Angels Years.

Benny Hill DVD Megaset This link will take you to my 2010 blog entry when I wrote about the then upcoming Mega-Set. I didn't post any images from my personal collection but this time around, as you can see, I decided to do so.

For a lot of people in the United States, Benny Hill didn't hit the airwaves until 1979 and when he did the show was often scheduled in a late-night slot and in some places it aired numerous times during the overnight hours. I assume a reason for this was because the program was an import from another country and another reason was that it was syndicated which left it's air-time in the lap of local stations that carried the show. I don't recall ever seeing an episode of his show any earlier than 11pm. During summer break from school I'd be a night-owl and would see his show on a couple of television stations. Each program that had aired on the same night, but on different channels, were different...a perfect example of the unique aspect of Benny's programs that aired in America. The America broadcasts were compilations of sketches that appeared originally in the television specials that Hill put together throughout the '70s and '80s. As it's been pointed out by several people more knowledgeable about television programming than I am, a typical half-hour Benny Hill program in America could feature a sketch from 1973 followed by a sketch from 1982 and then followed by a song/poem recitation from 1976. The sketches were all strung together, edited flawlessly, and presented as if it were an actual live production. Each episode would end with Benny, in character, being chased by a crowd of people to the tune of Boots Randolph's rendition of "Yakety Sax". The two VHS videos in this picture were released by HBO in the 1980's when his syndicated program in America was in it's peak. I have several more VHS tapes that HBO released but those are the first two I purchased in the late '90s from an outlet mall that specialized in selling VHS tapes...it was right around the time DVD's were just starting to become the preferred choice and so a lot of the tapes were selling for incredibly low prices. I bought all my Vincent Price horror movies, well, 95% of them, from that same outlet store...but that's another topic altogether!

I purchased these particular VHS tapes because I had never seen his BBC material. These three VHS videos are filled with hilarity and show a younger Benny Hill...from the early and mid '60s...experimenting and having all kinds of fun with the recording and audio techniques of the day. He'd been doing television specials since 1951 but it wasn't until later that decade that he began appearing with more and more frequency. These VHS tapes were released in the late 1990's and a DVD set became available in 2005. One of the highlights on practically any episode is when he tackles other celebrities...from those in England to those in Canada and America. A lot of the BBC episodes feature topical humor, too, which will perhaps go over a lot of people's heads. I didn't understand quite a few of the jokes that got thunderous applause and laughter until I did some research. There's an uproariously funny parody of the American series, Bonanza, featured on one of the tapes. The parody is titled Bo-Peep. The straight-man during these BBC shows was Jeremy Hawk but because these shows weren't reran and shown all over the world he isn't as well remembered as a Benny Hill cast-member; but Jeremy Hawk was a good straight-man...he rarely, if ever, broke up on camera. I don't think Henry McGee ever cracked a bit of laughter while working in the sketches (unless it was scripted). There was a scene that takes place during breakfast and Hill, apparently ad-libbing based on McGee's reaction, quotes a line from a cereal commercial that McGee appeared on. The camera shows a glimpse of McGee in near-laughter but he pulls himself back together before completely breaking up. One of the funniest sketches among the many was an offering called 'Hotel Sordide' which had been used as the name of a couple of other sketches...but in this particular one Hill plays a French waiter in the hotel who delivers food to a couple who are obviously not husband and wife but are seeing one another in secret. Hill, whose character can hardly speak any English, ends up mixed in with the lovers spat as Henry McGee and the woman in the sketch scream at one another about cheating, affairs, poor sexual performance and stuff like that there. It's a very funny sketch and one that I assume took place in the late '70s.

A look at Hill's years at the BBC can be explored further Here. On April 20th the BBC took a look back at Hill's career on the 20th anniversary of his death. Their information can be found Here. 

This VHS is something that I bought because the back of the cover shown some screen shots featuring Benny in sketches that I hadn't seen at that point in time. I was way more familiar with his late '70s and early '80s sketches that were on the HBO videos...I hadn't seen the earliest of the Thames material (1969-1975) and so I purchased this VHS. I loved the sketches that I saw and it wasn't too long afterward that the A&E company began releasing their Benny Hill DVD series which I wrote about at the top of this blog entry. When I purchased the A and E set I was introduced to complete episodes of his shows. His programs ran like your standard variety show: songs, dances, comedy sketches...but I was so used to the edited sketch formula of the syndicated series in America that it was like watching a completely different show. In many episodes there would be a musical number performed by a group known as The Ladybirds. These music performances never appeared in the America broadcasts (1979-1989) and they hadn't appeared on the HBO video tapes or the one you see in the image above. So, when I saw the clips in The Best of Benny Hill tape and then the full episodes on Sets 1 and 2 of the A and E company, in addition to the 3-Volume set of the BBC material and those HBO released video tapes, I felt as if my viewing of all things Benny Hill was complete...and then came the Mega-Set in 2007...combining all the A and E DVD releases in one collection...and then that Mega-Set was re-released in 2010 with new cover art but same selling price.

In the documentaries I wrote of earlier you'll learn about Benny's childhood, his comic influences, his rise to stardom, and his personal life...and you'll hear candid commentary from his supporting cast on their experiences working on Benny's programs and working with the man himself. Since the Thames material is what's more well-known all over the world that's mostly what appears in the documentaries...with a clip or two from the BBC shows added in to highlight his earliest performances on television. Hill had a regular cast of supporting players in all of his shows. The one that gets the most attention is Jackie Wright, the Irish comedian known by millions of Benny Hill fans as the "little bald man in the Benny Hill sketches" who is forever being slapped on the head and kicked in the rear by any number of cast-members...mostly by Hill but there's been times when any number of Hill's Angels have slapped and kicked Jackie Wright, too. Often, Hill's character would do something naughty toward one of the Angel's and, in error, the Angel would take her anger out on innocent bystander, Jackie Wright.

One of the most popular sketches that would surface at various times during the Thames Television run (1969-1989) would involve Hill at a bus stop wearing a trench coat and at first glance it would appear that he was holding up a newspaper as if he's reading it. Standing in the middle of Hill and Wright, in the same bus line, would be one of the Hill's Angels. Seconds later the woman would shriek, touch her bottom as she reacted to being pinched, and because Hill's hands were supposedly occupied holding up the newspaper, the woman would slap Jackie Wright, instead. After another incident involving a female in line at the bus stop, the woman would storm off after slapping Jackie Wright. These kinds of sketches were often played in mime fashion...usually with an up-tempo instrumental playing in the background. The loud slaps and other sound-effects were inserted, obviously, for comic effect. The mime/fast-paced chase routines that appeared regularly enabled many of his skits to transcend the language barrier, too.

I don't know too much about the BBC cast other than Jeremy Hawk and Patricia Hayes appearing frequently in the programs. In some of the earliest Thames episodes Nicholas Parsons was Hill's straight-man. Henry McGee remained the permanent straight-man, though, and remained a fixture on all of Hill's subsequent programs. Bob Todd often appeared. He was the big guy who also had hardly any hair. Sue Upton and Louise English were a couple of the Hill's Angels that have become synonymous with the series...but I don't know the names of any of the others off the top of my head....but....

I came across a web-site called Benny's Place and for those who want in-depth analysis and information about all things Benny Hill as well as the names of his cast-members through the years click the following Link. Along the left side of the page you'll see pics of Benny as different characters as well as pics of other cast-members, too. 

Nicholas Parsons is still among the living and heard regularly on radio. June Whitfield, who appeared on a few of the BBC specials, is also still among the living. The main cast is no longer living. Jackie Wright passed away in January 1989 but had stopped appearing on Hill's specials in 1983. Bob Todd passed away in October of 1992. Patricia Hayes, also from the BBC era, passed away in September 1998. Jeremy Hawk passed away in January 2002. Henry McGee passed away in January 2006...     

Benny Hill passed away on April 20, 1992. This salute, used many times by Hill in his programs, is one of his most recognizable. It didn't really matter which hand he used...whether right or left...it was sure to appear during any number of sketches revolving around his character, Fred Scuttle.