Benny Hill: Happy Birthday!!

Well, now, we've gotten to January 21st and the birthdate of the comedic genius, Benny Hill. Happy birthday to the late Benny Hill!! 

Everyone has their idea of what a 'comedic genius' is...I think that Benny is a genius because of his ability to be innovative with visual comedy in the early days of television. Some may shrug that off as irrelevant and take the cynical attitude of "well, it wasn't like someone else wouldn't have figured it out...". As a visual comedian I rank Benny Hill along side the likes of Ernie Kovacs and Red Skelton. I'd say that Benny was like a combination of those two...with a stage name inspired by Jack Benny. 

Benny Hill was born Alfred Hill on January 21, 1924. His upbringing was that of most in his era...and for entertainment it was radio or live theater. In numerous on-line biographies and documentaries on Benny it's reported that live theater had a profound influence on Benny...and as a kid he'd see the comedians on stage and loved the idea of causing other people to laugh. He also took note of the emcee's of these theatrical performances and the sea of girls that would come out on stage and dance and have a fun old time. He remarked that the emcee always tended to be surrounded by a lot of beautiful women and that the comic made the people laugh...so, in a lot of ways, Benny combined two of those elements from British Music Hall theater into one and became: Benny Hill! The hallmarks of the Victorian Music Hall traditions that were still being performed during his childhood obviously played a huge role in the style of comedy he would gravitate to. Benny's affinity for this style of comedy put him at odds with 'contemporary' British comedians several decades later...but nevertheless there was an audience for it and millions would tune in to watch his television specials. His television career began in the 1950s and he taped a lot of comedy specials for the BBC.

This is a publicity photo from one of his early television specials...surrounded by a collection of beauties. It's been documented that television made Benny Hill a legendary entertainer...someone that became a popular entertainer exclusively through television rather than having a lengthy run in the theater or in radio. Benny had a spotty presence on BBC radio...but it's generally viewed that the greatness of his comedy wouldn't arrive until the visual medium and television. He was an under-rated master of pantomime. He could be hilarious with no dialogue whatsoever. So many of his most recognizable sketches are the non-verbal routines. These are largely recognizable for several reasons. The main reason they're recognizable is because of how great they're executed/timed and how they're a throwback to the sped-up silent sketches of the Keystone Kops and silent movie comedy in general. He was a big fan of Charlie Chaplin. It's a legendary anecdote now but when Benny visited Chaplin's residence he was shocked, stunned, and highly emotional upon discovering that within the personal collection of Charlie Chaplin were dozens of Benny Hill recordings on video tape. Benny's visit to the Chaplin estate happened in the late '70s following Chaplin's 1977 death. Benny's television programs on the BBC throughout the '60s featured many sight-gags, patter songs, and topical comedy. His inventiveness with the camera enabled him to appear on screen with himself...not once...but three or more times in the same scene. In the days of early television production this trick was performed through the use of covering part of the camera lens to block out certain areas and then, in post production, splicing all of the separately recorded images together to appear as if all images of Benny are appearing at the same time on screen. 

He invented a character named J. Arthur Clinker...world's fastest film maker. Benny once remarked that Clinker wrote the story in the morning, cast it during the afternoon, and filmed it in the evening and it's ready for viewing. The character probably was created as a vehicle for Benny to showcase sped-up or slowed-down camera footage and the haphazard approach of patching unrelated scenes together to create a film. One sketch featured the characters not speaking in-synch with the audio. The Clinker productions were always filled with errors, blunders, bizarre camera edits, and all kinds of other visually jarring activity. Benny may have been spoofing the reputation of Ed Wood.

Benny Hill's comedic seeds were sown in the brief appearances on BBC radio as well as his semi-regular appearances on BBC television in the early to mid '60s. He hit the 'big time' when he joined Thames Television in 1969. The company would be his home for the next 20 years. His legacy and impact took shape during his decades at Thames Television. He continued his appreciation for silent comedy and tackling British celebrities of the time period...one of his frequent spoofs happened to be newscasters and game show hosts. In the BBC years Benny's main comic foil was Jeremy Hawk. Benny's main character, Fred Scuttle, came with him to Thames Television. Benny's comic foil eventually became Henry McGee. Patricia Hayes appeared in several of Benny's early Thames Television specials. She was a hold over from the BBC era. Rita Webb, another ensemble member from the BBC years, also made some appearances on the early Thames Television specials. Benny's television specials were sporadic...the show wasn't on every week or every other week or every month...the specials would show up whenever they were completed and they were treated as television specials...garnering millions upon millions of television viewers. In the photo above Benny Hill is portraying Oliver Hardy and Sue Upton is portraying Stan Laurel in a sketch from the late 1980s. Benny's core ensemble throughout much of his Thames Television years consisted of Henry McGee, Bob Todd, Jackie Wright, and Jon Jon Keefe. 

In 1979, during it's 10th year in production, the series got a new producer/director named Dennis Kirkland. The series also added an all-girl dance group called The Hill's Angels. The most notable of the Angels happened to be Louise English and Sue Upton. In addition to the production and aesthetic changes in 1979, Don Taffner, an American television syndicator, began distributing half hour syndicated versions of Benny's television specials. These specials hit the American television airwaves, slowly at first, but the demand was so high that numerous half hour programs were created to fill all of the time-slots on local television stations as cable television and network television stations began popping up and staying on the air all night long rather than signing off at Midnight with a test pattern airing until 5 or 6am. The half hour programs that aired, first, on American television beginning in 1979 were edited versions of his hour long television specials. Some of those half hour episodes featured sketches taken from several of his hour long specials...meaning that in a single half hour episode Benny could age 5 to 10 years from sketch to sketch. These half hour episodes would become internationally popular...heavy emphasis placed on his silent sketches. The non-verbal comedy in those sketches was obviously helpful. 

Benny's television specials for Thames Television came to an end in 1989. A cave-in to political correctness brought the curtain down on Benny's harmless, whimsical comedy. It was a win for authoritarianism and a loss for comedy. The half hour shows were still airing all over most of the planet...and they continued airing...except in Benny Hill's home country. The accusations of sexism and the condemnation of 'contemporary' British comics in the late 1980's was too much for Thames Television to ignore, apparently. Don Taffner, in the meantime, arranged for Benny and the gang to star in another comedy special. The special, Benny Hill's World Tour: New York, was taped in 1990. The exterior scenes were shot in New York. USA Network aired the comedy special in May of 1991. Benny's syndicated programs were still airing in many television markets...and there was talk of Benny putting together a series of future television specials using the World Tour concept. He passed away, however, in April of 1992 at the age of 68...and reportedly among the papers found in his house was an unsigned television contract which called for the production of new comedy specials. 

This is by no means a detailed overview of his life/career...some out there may find my style of writing incoherent and grammatically challenged...be that as it may Benny Hill was a comedic genius...his work is on video hosting sites for millions of people to discover. In a 2007 poll of the Top-50 Greatest Television Stars conducted by ITV, Benny Hill was ranked 17. I think that was an incredible showing particularly in Britain and particularly nearly 20 years after he passed away. So much hate was written about him during the final years of his television career and so much hate-filled rhetoric directed at Benny has spewed forth since 1989 that having him rank at 17 in a public poll of the 50 Greatest British television stars in 2007 was something of a revelation. It shows me that the public, if you really think about it, was never truly offended by Benny Hill's comedy. The hate and criticism came from special interest groups rather than the public at large. Why is it wrong to cater to special interests? It's wrong because special interests only reflect the views of a small group who share a single interest...it's wrong to cater to the whims of a faction but instead try to reflect the interests of a public as a whole. I'm going to close this blog entry with a funny song and dance from Benny Hill and Jackie Wright...it's wonderful...